Instead, Grant’s narrator offers this elegant metaphor: “She thought she had been invited to the party by mistake.” She is not described in the terms that mainstream fiction typically uses to describe transness (“born in the wrong body,” “always knew she should be a girl,” etc.).
Simone’s identity is not particularly central to her story. It comes up only a handful of times in later episodes, largely in episode eight, when Simone and Peter go on a date.
#Dispatches from elsewhere streaming series#
It is the first time the series directly acknowledges that Simone is trans, and it is also very nearly the last. He later guides us through her childhood, as she’s assigned male at birth then transitions in adolescence (a journey that’s roughly similar to Lindley’s). Grant, who might hold the secrets of the universe - invites viewers to imagine themselves as Simone. Someone hands her a loudspeaker to shout whatever truth she carries deep within her heart, but she bails, running back the way she came, away from the parade, truth left unspoken.Īt the start of this sequence, the show’s most mysterious character - a Wizard of Oz-esque narrator played by Richard E. She steps back from the parade, her voice caught in her throat. Simone makes her way down a long alley, only to stumble upon a Pride parade. The second focuses on Lindley’s character, Simone, and opens with a sequence that captures something essential about the process of transition. The first four episodes of Dispatches From Elsewhere’s 10-episode debut season each take a close-up look at one of the four main characters. Feeling lost in and isolated by modern life, they begin to come together via an elaborate “game,” with symbols that guide them deeper and deeper into an alternate reality overlaid atop our own. Jessica Kourkounis/AMCĭispatches From Elsewhere, an anthological miniseries that will tell different stories with each season, begins its first season with characters in search of a purpose. No pressure.” How Dispatches From Elsewhere captures the occasional alienation of transness Simone loves art, and it becomes a major part of her story. ‘What do we do? Do we just do it?’ And Jason was, like, ‘What?’ He’s kissed every A-list actress under the sun! Okay. I was a funny character actress, and I never had to think about being pretty on camera or being intimate on camera or kissing on camera,” she says. “Usually, trans women are side characters. And because both Lindley and Simone are trans, she’s making history by default. Though her character, Simone, is not the series’ protagonist (that honor goes to Peter, played by Segel, who created the show and wrote and directed several episodes), she is his primary love interest. Her role as the romantic female lead of a miniseries about four people drawn into a mysterious, surreal game playing out on the streets of Philadelphia could have felt undercooked, but she brings the character to vibrant life.Īnd Lindley’s presence on Dispatches From Elsewhere is hugely significant. That she’s playing a romantic lead is impressive in and of itself that she brings so much presence and spark to the show is even more striking. I’m the hot girl.’ I was not prepared for that.”ĭispatches From Elsewhere is just the 12th role Lindley has ever played on camera. “It took me a second, and then I was, like, ‘Oh my God. How are men going to watch this? No one is going to watch this! Who is the hot girl?’” she recalls. There is no young, hot girl on this show. This is going to be the best!’ And then I’m looking around, and I’m, like, ‘This is peculiar. “I was looking around at the cast, really feeling myself. She walked in, ready for her first lead role in anything ever, and found herself sitting with Jason Segel, with André Benjamin, with Sally Field.įirst, she freaked out inside. The very first time Eve Lindley was in a room with all of her costars on the AMC series Dispatches From Elsewhere was for a sexual harassment training seminar.
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